Mobile Image Capture for Collections: Results for iPhone 18

Peter Burns, with contributions from Tom Rieger and Don Williams

The following is an update to our presentation at this year’s Archiving Conference in Boston [1]. We present some imaging performance results for an Apple iPhone 18 Pro Max unit. For comparison, we also include some results for an iPhone 16 Pro Max. A PDF version of this report is here.

Background; Previously, we examined the potential of contemporary mobile devices, particularly smartphone cameras, to support large-scale digitization of cultural heritage. We also described how automated metadata generation and digital collection systems can complement mobile capture. When testing the imaging performance of several mobile-device cameras, we noted limitations, such as nonuniform illumination and inconsistent sharpness across captured images.

Figure 1: Copy stand used for imaging performance evaluation [1], and target within image

Caution: The following results are based on single units under test, which we will refer to as iPhone 18, and iPhone 16, in a single evaluation each. A range of illumination and camera settings were not used, so these results may not be representative of all situations and applications. So, let’s not run too far with these results. That said, we used the same testing methods and analysis software as for our previous study. Tom Rieger captured the images, and Peter Burns and Don Williams completed the analysis and plotted the results.

Testing and Results

Recently, T. Rieger completed a limited test of two iPhone models using a copy stand and FADGI ISO 19264 test target, as before. This iPhone 16 was used in our previous study. Figure 1 shows a similar testing setup, from Ref. [1], and the iPhone 18 test target image. The test images were captured as raw Adobe RGB (1998) encoded, 16-bits per channel. We will limit our reporting to two performance measures. The object sampling was 420 pixel/inch.

Color Encoding Accuracy

We used ΔE00 as the color-goodness measure, consistent with the FADGI Guidelines. [2] For this test image, applying a custom ICC color profile based on the FADGI target colors significantly improved the color accuracy measure. Figure 2 shows the results for the iPhone 18 test image, 50 megapixels each. We can see a clear color cast in the input test, often due to the capture illumination rather than the camera. The color profile significantly reduced this, as we would expect.

The corresponding color differences for the patches are summarized in Fig. 3. Each difference is computed between the input test target patch CIELAB values and those for the image values computed from the Adobe RGB values. The analysis and histogram reporting were done using Golden Thread software [3].

Figure 2: Test images from copy stand and iPhone 18 evaluation: input (L) and color-corrected (R)
Figure 3: Color encoding error results before and after custom ICC color profile correction

Spatial Frequency Response

The method used to measure the capture of object or scene details by a camera is the Spatial Frequency Response (SFR). This method analyzes edge features per ISO 12233, which is used under FADGI. For this analysis, we compare results from the iPhone 18 with those from the iPhone 16. We tested both devices under the same conditions.

Figure 4 shows cropped regions for the iPhone 16 test image. Note that these regions only show example edges in the vertical orientation for illustration. The four corner regions were located near the 50% of the image field of view, as shown in Fig. 1. As in our previous study, we see a falloff in image detail and apparent sharpness near the edges of the image field. In addition, the center edge over- and undershoot seen here are often due to digital sharpening. The corresponding image areas for the iPhone 18 are shown in Fig. 5. Note the generally consistent, sharp features across the image.

Figure 4: Cropped sections of the FADGI target iPhone 16 image edge areas
Figure 5: Cropped sections of the FADGI target color-corrected iPhone 18 image edge areas

The SFR analysis was performed for both vertical and horizontal edges in these areas. These results were computed using the SFRMAT5 Matlab function that is part of ISO 12233 [4]. The results for the iPhone 16 and 18 are shown in Fig. 6. The five locations are: Center, northwest (NW), northeast (NE), southeast (NE), and southwest (SW). The high SFR values for the iPhone 16 center are consistent with the above observations of Fig. 4, as are those for the iPhone 18, where significantly more uniform behavior is evident.

Figure 6: iPhone 16 (L) and iPhone 18 (R) edge-SFR results for the five locations (see text) in both vertical and horizontal directions

We can further summarize this intra-image performance by comparing the center and edge performance. This is shown in Fig. 7. The edge results are the mean SFR for the four regions near the corners (50% field of view) of the test target.

Figure 7: Center-edge SFR performance: iPhone 16 (L) and iPhone 18 (R)

Summary

The results of our brief evaluation showed more consistent imaging performance across the image field than we have observed for most other devices, including the iPhone 16. We intend that this and related performance evaluations contribute to efforts in field acquisition for digital preservation and collections. A PDF version of this report is here.

Acknowledgement: Thanks to our co-authors in Ref [1]; Dean Serrentino, Lilli. Cooper, Michael. Sao Pedro, Jay Bosanko, Juilee Decker. This is why we go to conferences.

References

  1. D. Serrentino, P. Burns, L. Cooper, M. Sao Pedro, J. Bosanko, J. Decker, D. Williams, and T. Rieger, Mobile Imaging and Metadata Capture for Cultural Heritage Preservation, Proc. Archiving Conference,  2026,  IS&T, pp. 18 – 23. https://library.imaging.org/archiving/articles/23/1/5
  2. FADGI Still Image Working Group, ed. T Rieger, US Library of Congress, http://www.digitizationguidelines.gov/
  3. Golden Thread Software, Image Science Associates, https://www.imagescienceassociates.com/
  4. P. D. Burns, K. Masaoka, K. Parulski, D.Wueller, Updated Camera Spatial Frequency Response for ISO 12233,  Proc. IS&T Int’l. Symp. on Electronic Imaging: Image Quality and System Performance, 2022,  pp 357-1 – 357-6,  https://doi.org/10.2352/EI.2022.34.9.IQSP-357

Archiving 2026: Camera and Scanner Imaging Performance Workshop

At IS&T’s Archiving 2026 Conference in Boston, Don Williams and I will be presenting our workshop. Here are the areas that we plan on covering.

This is a theory-to-practice workshop with emphasis on practice. The lecturers have more than fifty years of combined digital and analog imaging experience with ISO standards, industry, and large international libraries. We will be using Golden Thread NXT software and Photoshop for demonstration purposes

Primer on performance metrics
– Accuracy vs. consistency. What’s more important ?
– What exactly is being evaluated and why do things go wrong
– Can we create our guidelines ?
– How to recognize camera hardware from image processing influences.
– When to overlook certain imaging performance problems.

You can observe a lot just by watching.
 -Learn how to visually detect JPEG, de-mosaicing, oversharpening, and noise cleaning artifacts that are not addressed in today’s current guidelines.

Color profiling
– Simple ways to think of color profiles. It’s not complicated.
– The underlying variables in creating color profiles
– The difference between a color profile and a color space and how to connect them.
 -What are the benefits, or not, of separate profiling and verification targets?
– How can multiple target scans be combined into a single super profile.
– Understand how lighting illuminants, especially LEDs, can dramatically influence the true colorimetric (Lab, and XYZ) values that color profiles are built upon.
– How color profiling can improve goodness ratings or introduce artifacts
– How does today’s LED lighting influence true colorimetric (Lab or XYZ) values

Spatial Frequency Response
– How to interpret them and how they can vary.
– Methods for using resolution wedges for identifying de-mosaicing artifacts

Video Presentation: Digital Camera Myths, Mis-statements, and Misunderstandings

Recently Wayne Prentice presented, Digital Camera Myths, Mis-statements, and Misunderstandings, at the Society for Imaging Science and Technology (IS&T) Rochester NY chapter seminar series. Wayne addressed,
– Image noise
– ISO Speed
– Analogue vs. digital gain
– Colour accuracy or ?
– Machine vision aims (human-like)
– ‘HDR’ and real HDR
– Mobile phone as good as a DSLR camera?
(54 minutes)

Here is the video,

Digital Camera Myths, Mis-statements, and Misunderstandings

On Wednesday, 17 Jan. 2024 Wayne Prentice will be presenting as part of the Society for Imaging Science and Technology (IS&T) Rochester NY chapter seminar series. This meeting will be hybrid; in-person, and by Zoom video conference.

Place: Irondequoit Public Library, (Room 216) 1290 Titus Ave, Rochester, NY 14617 (in person) Time: 6:00 pm
On-line: https://lnkd.in/gg8vxVj2 (Meeting 859 2672 3473)

The digital cameras are deceptively complex. Understanding camera operation/design requires some knowledge of the parts, including, radiometry, optics, sensors, sensor design, image processing, color science, perception, and image/video encoding. It is easy to miss something.

This talk was inspired by interactions with co-workers and clients. I have observed that subtle, yet important, points when missed can lead to suboptimal product and design decisions. The goal of this talk is to fill in some of those gaps.

Wayne has worked in the imaging industry for over 35 years, for systems ranging from X-ray, CAT scanners, MRI, extra-terrestrial imaging, and digital cameras. Much of his digital camera experience came from 17 years working at Kodak R&D, for digital cameras. At Kodak Wayne became the lead image scientist and manager for Digital Camera R&D group. He has worked as an independent contractor over the past 5 years, providing solutions to a wide range of imaging challenges, mostly developing custom camera applications, computer vision, and HDR imaging.

Super-Resolution: Computational and Deep Learning-Based Approaches

On Wednesday, April 26, 2023, Majid Rabbani and Prasanna Reddy Pulakurthi presented as part of the Society for Imaging Science and Technology (IS&T) Rochester NY chapter seminar series.

Abstract: Super-resolution refers to obtaining an image higher than the camera sensor’s resolution. Super-resolution can be applied to a single low-resolution image or a single frame within a low-resolution captured sequence. The approaches can be either computational-based (using physical modeling of the capture process, subpixel motion estimation and image registration, and regularized spatially variant deblurring) or example-based using machine learning and deep convolutional networks. This presentation provides a brief overview of the field’s history and evolution while addressing its challenges and future directions.

Video file of the presentation (YouTube), https://youtu.be/czlEG-QkKRI

Presentation File (PDF), /burnsdigitalimaging/ISandT/ISandT%20Super-Resolution%20Rabbani%20and%20%20Pulakurthi%20.pdf

L’Oréal Skin Color Chart, Colour Coordinates, Dermatology (updated)

chart1

Skin Color Chart and CIELAB coordinates

Some time ago L’Oréal* developed a colour chart showing various shades of skin colour, based on a sampling of the spectral reflectance characteristics of women’s (healthy) skin around the world.

For a current project, we are addressing the requirements for, and control of, image capture for dermatologists. By understanding important optical (colour) characteristics for this imaging application, we can tailor system design and evaluation methods for improved performance. The chart and similar databases can provide information on system tolerances, and sources of variability.

Report: A short report on the region of (colour) signal-space occupied by the chart is available here, Coordinates of L’Oréal Skin Color Chart (updated) (PDF)

Color Chart: L’Oréal webpage, A new geography of skin color
_____
*L’Oréal Paris, the cosmetics company

Space Imaging Heritage in Rochester NY

On 15 Feb. Bob Fiete presented a talk as part of the Society for Imaging Science and Technology (IS&T) Rochester NY chapter seminar series.

When we see the images taken from satellites on the evening news, from the Russian invasion of Ukraine to the distant galaxies captured by the James Webb Space Telescope, most people don’t realize the significant role played by a group of talented people in Rochester, NY to make these images a reality. This talk will look at the history of imaging technologies and the pioneering accomplishments in Rochester, NY that give us these amazing images from space.

Dr. Bob Fiete is Chief Technologist and Senior Fellow at L3Harris with over 40 years of experience in imaging science. He was Director of R&D for ITT Space Systems Division and has chaired conferences and seminars on imaging and optics. He has briefed the White House and US House of Representatives, and worked with law enforcement on cases image exploitation.

Here is the video,

https://youtu.be/5hfotnao6to